Event type: Exhibition

“Style writing and graffiti are not about art. For many, it’s about having a voice. A voice that, once bright, erodes, decays and disappears. It is erased by weather, time and status quo. It is about staking monuments in a place that often casts you out.” –ORIAH SCOTT

This summer we host Oriah Scott, EronOne, HONE, HUNGR, AJ Little, Emily May Rose and guest graffiti artists from across the Montreal-Toronto corridor as Agnes’s Stonecroft Foundation Artist(s)-in-Residence. An extended research and design phase culminates in a site-specific commission for the exterior façades of Agnes’s current facility. Transformations remains until the construction for Agnes Reimagined begins in summer 2023.

This reciprocal relationship-building project celebrates the long vernacular tradition of street art in Kingston, points to alternative art histories embedded in our city streets and provides a framework for experiential learning and co-curriculum development conceived in collaboration with faculty and students from Queen’s Art Conservation Program. In the classroom, we trace the lineages of “acts of urban chaos;” in the conservation lab, we consider why certain paint colours fade more quickly; in the gallery, we have honest conversations along the way, exploring the ethics of preserving street art, the conundrum of being an art institution working along-side submerged cultural practices without co-opting them and collectively questioning who benefits from exchanges with imbalanced power dynamics. And we produce the first-ever in-situ graffiti project on the actual architectures of Queen’s!

The residency, large-scale, site-specific commission and experiential education initiative are conceived and produced by Emelie Chhangur, Agnes Director and Curator in partnership with Patricia Smithen, Assistant Professor, Paintings Conservation and Director, Art Conservation Program, Queens University.

Generously funded by the Stonecroft Foundation and the City of Kingston Arts Fund, Kingston Arts Council.

“Style writing and graffiti are not about art. For many, it’s about having a voice. A voice that, once bright, erodes, decays and disappears. It is erased by weather, time and status quo. It is about staking monuments in a place that often casts you out.” –ORIAH SCOTT

This summer we host Oriah Scott, EronOne, HONE, HUNGR, AJ Little, Emily May Rose and guest graffiti artists from across the Montreal-Toronto corridor as Agnes’s Stonecroft Foundation Artist(s)-in-Residence. An extended research and design phase culminates in a site-specific commission for the exterior façades of Agnes’s current facility. Transformations remains until the construction for Agnes Reimagined begins in summer 2023.

This reciprocal relationship-building project celebrates the long vernacular tradition of street art in Kingston, points to alternative art histories embedded in our city streets and provides a framework for experiential learning and co-curriculum development conceived in collaboration with faculty and students from Queen’s Art Conservation Program. In the classroom, we trace the lineages of “acts of urban chaos;” in the conservation lab, we consider why certain paint colours fade more quickly; in the gallery, we have honest conversations along the way, exploring the ethics of preserving street art, the conundrum of being an art institution working along-side submerged cultural practices without co-opting them and collectively questioning who benefits from exchanges with imbalanced power dynamics. And we produce the first-ever in-situ graffiti project on the actual architectures of Queen’s!

The residency, large-scale, site-specific commission and experiential education initiative are conceived and produced by Emelie Chhangur, Agnes Director and Curator in partnership with Patricia Smithen, Assistant Professor, Paintings Conservation and Director, Art Conservation Program, Queens University.

Generously funded by the Stonecroft Foundation and the City of Kingston Arts Fund, Kingston Arts Council.

“Style writing and graffiti are not about art. For many, it’s about having a voice. A voice that, once bright, erodes, decays and disappears. It is erased by weather, time and status quo. It is about staking monuments in a place that often casts you out.” –ORIAH SCOTT

This summer we host Oriah Scott, EronOne, HONE, HUNGR, AJ Little, Emily May Rose and guest graffiti artists from across the Montreal-Toronto corridor as Agnes’s Stonecroft Foundation Artist(s)-in-Residence. An extended research and design phase culminates in a site-specific commission for the exterior façades of Agnes’s current facility. Transformations remains until the construction for Agnes Reimagined begins in summer 2023.

This reciprocal relationship-building project celebrates the long vernacular tradition of street art in Kingston, points to alternative art histories embedded in our city streets and provides a framework for experiential learning and co-curriculum development conceived in collaboration with faculty and students from Queen’s Art Conservation Program. In the classroom, we trace the lineages of “acts of urban chaos;” in the conservation lab, we consider why certain paint colours fade more quickly; in the gallery, we have honest conversations along the way, exploring the ethics of preserving street art, the conundrum of being an art institution working along-side submerged cultural practices without co-opting them and collectively questioning who benefits from exchanges with imbalanced power dynamics. And we produce the first-ever in-situ graffiti project on the actual architectures of Queen’s!

The residency, large-scale, site-specific commission and experiential education initiative are conceived and produced by Emelie Chhangur, Agnes Director and Curator in partnership with Patricia Smithen, Assistant Professor, Paintings Conservation and Director, Art Conservation Program, Queens University.

Generously funded by the Stonecroft Foundation and the City of Kingston Arts Fund, Kingston Arts Council.

“Style writing and graffiti are not about art. For many, it’s about having a voice. A voice that, once bright, erodes, decays and disappears. It is erased by weather, time and status quo. It is about staking monuments in a place that often casts you out.” –ORIAH SCOTT

This summer we host Oriah Scott, EronOne, HONE, HUNGR, AJ Little, Emily May Rose and guest graffiti artists from across the Montreal-Toronto corridor as Agnes’s Stonecroft Foundation Artist(s)-in-Residence. An extended research and design phase culminates in a site-specific commission for the exterior façades of Agnes’s current facility. Transformations remains until the construction for Agnes Reimagined begins in summer 2023.

This reciprocal relationship-building project celebrates the long vernacular tradition of street art in Kingston, points to alternative art histories embedded in our city streets and provides a framework for experiential learning and co-curriculum development conceived in collaboration with faculty and students from Queen’s Art Conservation Program. In the classroom, we trace the lineages of “acts of urban chaos;” in the conservation lab, we consider why certain paint colours fade more quickly; in the gallery, we have honest conversations along the way, exploring the ethics of preserving street art, the conundrum of being an art institution working along-side submerged cultural practices without co-opting them and collectively questioning who benefits from exchanges with imbalanced power dynamics. And we produce the first-ever in-situ graffiti project on the actual architectures of Queen’s!

The residency, large-scale, site-specific commission and experiential education initiative are conceived and produced by Emelie Chhangur, Agnes Director and Curator in partnership with Patricia Smithen, Assistant Professor, Paintings Conservation and Director, Art Conservation Program, Queens University.

Generously funded by the Stonecroft Foundation and the City of Kingston Arts Fund, Kingston Arts Council.

“Style writing and graffiti are not about art. For many, it’s about having a voice. A voice that, once bright, erodes, decays and disappears. It is erased by weather, time and status quo. It is about staking monuments in a place that often casts you out.” –ORIAH SCOTT

This summer we host Oriah Scott, EronOne, HONE, HUNGR, AJ Little, Emily May Rose and guest graffiti artists from across the Montreal-Toronto corridor as Agnes’s Stonecroft Foundation Artist(s)-in-Residence. An extended research and design phase culminates in a site-specific commission for the exterior façades of Agnes’s current facility. Transformations remains until the construction for Agnes Reimagined begins in summer 2023.

This reciprocal relationship-building project celebrates the long vernacular tradition of street art in Kingston, points to alternative art histories embedded in our city streets and provides a framework for experiential learning and co-curriculum development conceived in collaboration with faculty and students from Queen’s Art Conservation Program. In the classroom, we trace the lineages of “acts of urban chaos;” in the conservation lab, we consider why certain paint colours fade more quickly; in the gallery, we have honest conversations along the way, exploring the ethics of preserving street art, the conundrum of being an art institution working along-side submerged cultural practices without co-opting them and collectively questioning who benefits from exchanges with imbalanced power dynamics. And we produce the first-ever in-situ graffiti project on the actual architectures of Queen’s!

The residency, large-scale, site-specific commission and experiential education initiative are conceived and produced by Emelie Chhangur, Agnes Director and Curator in partnership with Patricia Smithen, Assistant Professor, Paintings Conservation and Director, Art Conservation Program, Queens University.

Generously funded by the Stonecroft Foundation and the City of Kingston Arts Fund, Kingston Arts Council.